The Great Gatsby Pdf, Summary, Quotes, Author, Characters, Cast, Themes

The Great Gatsby pdf by F. Scott Fitzgerald is a 1925 novel by American writer F. Scott Fitzgerald. Set in the Jazz Age on Long Island, near New York City, the novel depicts first-person narrator Nick Carraway’s interactions with mysterious millionaire Jay Gatsby and Gatsby’s obsession to reunite with his former lover, Daisy Buchanan.The novel was inspired by a youthful romance Fitzgerald had with socialite Ginevra King, and the riotous parties he attended on Long Island’s North Shore in 1922. Following a move to the French Riviera, Fitzgerald completed a rough draft of the novel in 1924. He submitted it to editor Maxwell Perkins, who persuaded Fitzgerald to revise the work over the following winter. After making revisions, Fitzgerald was satisfied with the text, but remained ambivalent about the book’s title and considered several alternatives. Painter Francis Cugat’s cover art greatly impressed Fitzgerald, and he incorporated aspects of it into the novel. After its publication by Scribner’s in April 1925, The Great Gatsby received generally favorable reviews, though some literary critics believed it did not equal Fitzgerald’s previous efforts. Compared to his earlier novels, Gatsby was a commercial disappointment, selling fewer than 20,000 copies by October, and Fitzgerald’s hopes of a monetary windfall from the novel were unrealized. When the author died in 1940, he believed himself to be a failure and his work forgotten. In this article, you will be able to download The great Gatsby by F. Scott Fitzgerald as well as do the following:

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The Great Gatsby pdf Summary by F. Scott Fitzgerald

F. Scott Fitzgerald’s best-known novel is set in hedonistic Jazz Age Long Island and tells the story of millionaire Jay Gatsby and his pursuit of his former lover, Daisy Buchanan. A novel that touches on the topics of materialism, class, desire, and the American Dream, this enduring classic continues to capture imaginations nearly a century after its first publication. The Great Gatsby is a novel written by American author F. Scott Fitzgerald and first published in 1925. It follows a cast of characters living in the fictional town of West Egg on prosperous Long Island in the summer of 1922. The story primarily concerns the young and mysterious millionaire Jay Gatsby and his quixotic passion for the beautiful Daisy Buchanan. Considered to be Fitzgerald’s magnum opus, The Great Gatsby explores themes of decadence, idealism, resistance to change, social upheaval, and excess, creating a portrait of the Jazz Age or the Roaring Twenties that has been described as a cautionary tale regarding the American Dream. Francis Scott Key Fitzgerald (1896 – 1940) was an American author of novels and short stories, whose works are the paradigmatic writings of the Jazz Age, a term he coined. He is widely regarded as one of the greatest American writers of the 20th century. One hundred years after this novel is set, this highly collectible edition of this American masterpiece is the perfect addition to any personal library.

About the author of the Great Gatsby pdf – F. Scott Fitzgerald

Francis Scott Key Fitzgerald (1896–1940) was an American writer best known for his novels depicting the 1920s Jazz Age, the most famous and critically acclaimed of them being The Great Gatsby. His other novels are This Side of Paradise, The Beautiful and Damned, and Tender Is the Night. He also published short stories and wrote screenplays. His private life, with his wife, Zelda, in both America and France, became almost as celebrated as his novels.

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The Great Gatsby by F. Scott Fitzgerald
The Great Gatsby pdf by F. Scott Fitzgerald

Excerpt from the great Gatsby pdf by F. Scott Fitzgerald

In my younger and more vulnerable years my father gave me some advice that I’ve been turning over in my mind ever since. “Whenever you feel like criticizing any one,” he told me, “just remember that all the people in this world haven’t had the ad-vantages that you’ve had.” He didn’t say any more, but we’ve always been unusually communicative in a reserved way, and I understood that he meant a great deal more than that. In consequence, I’m in-clined to reserve all judgments, a habit that has opened up many curious natures to me and also made me the victim of not a few veteran bores. The abnormal mind is quick to detect and attach itself to this quality when it appears in a normal person, and so it came about that in college I was unjustly accused of being a politician, because I was privy to the secret griefs of wild, unknown men. Most of the confidences were unsought — frequently I have feigned sleep, preoccupation, or a hostile lev-ity when I realized by some unmistakable sign that an intimate revelation was quivering on the horizon; for the intimate revel-ations of young men, or at least the terms in which they ex-press them, are usually plagiaristic and marred by obvious sup-pressions. Reserving judgments is a matter of infinite hope. I am still a little afraid of missing something if I forget that, as my father snobbishly suggested, and I snobbishly repeat, a sense of the fundamental decencies is parcelled out unequally at birth.

And, after boasting this way of my tolerance, I come to the admission that it has a limit. Conduct may be founded on the hard rock or the wet marshes, but after a certain point I don’t care what it’s founded on. When I came back from the East last autumn I felt that I wanted the world to be in uniform and at a sort of moral attention forever; I wanted no more riotous excursions with privileged glimpses into the human heart. Only Gatsby, the man who gives his name to this book, was exempt from my reaction — Gatsby, who represented everything for which I have an unaffected scorn. If personality is an unbroken series of successful gestures, then there was something gor-geous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This re-sponsiveness had nothing to do with that flabby impressionab-ility which is dignified under the name of the “creative tem-perament.”— it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No — Gatsby turned out all right at the end; it is what preyed on Gatsby,what foul dust floated in the wake of his dreams that temporar-ily closed out my interest in the abortive sorrows and short-winded elations of men.

My family have been prominent, well-to-do people in this Middle Western city for three generations. The Carraways are something of a clan, and we have a tradition that we’re descen-ded from the Dukes of Buccleuch, but the actual founder of my line was my grandfather’s brother, who came here in fifty-one, sent a substitute to the Civil War, and started the wholesale hardware business that my father carries on to-day. I never saw this great-uncle, but I’m supposed to look like him — with special reference to the rather hard-boiled painting  that hangs in father’s office I graduated from New Haven in 1915, just a quarter of a century after my father, and a little later I participated in that delayed Teutonic migration known as the Great War. I enjoyed the counter-raid so thoroughly that I came back restless. Instead of being the warm centre of the world, the Middle West now seemed like the ragged edge of the universe — so I decided to go East and learn the bond busi-ness. Everybody I knew was in the bond business, so I sup-posed it could support one more single man. All my aunts and uncles talked it over as if they were choosing a prep school for me, and finally said, “Why — ye — es,” with very grave, hesit-ant faces. Father agreed to finance me for a year, and after various delays I came East, permanently, I thought, in the spring of twenty-two.

The practical thing was to find rooms in the city, but it was a warm season, and I had just left a country of wide lawns and friendly trees, so when a young man at the office suggested that we take a house together in a commuting town, it sounded like a great idea. He found the house, a weather-beaten card-board bungalow at eighty a month, but at the last minute the firm ordered him to Washington, and I went out to the country alone. I had a dog — at least I had him for a few days until he ran away — and an old Dodge and a Finnish woman, who made my bed and cooked breakfast and muttered Finnish wisdom to herself over the electric stove. It was lonely for a day or so until one morning some man, more recently arrived than I, stopped me on the road. “How do you get to West Egg village?” he asked helplessly. I told him. And as I walked on I was lonely no longer. I was a guide, a pathfinder, an original settler. He had casually con-ferred on me the freedom of the neighborhood.And so with the sunshine and the great bursts of leaves growing on the trees, just as things grow in fast movies, I had that familiar conviction that life was beginning over again with the summer.

There was so much to read, for one thing, and so much fine health to be pulled down out of the young breath-giving air. I bought a dozen volumes on banking and credit and investment securities, and they stood on my shelf in red and gold like new money from the mint, promising to unfold the shining secrets that only Midas and Morgan and Maecenas knew. And I had the high intention of reading many other books besides. I was rather literary in college — one year I wrote a series of very solemn and obvious editorials for the “Yale News.”— and now I was going to bring back all such things into my life and be- come again that most limited of all specialists, the “well-roun-ded man.” This isn’t just an epigram — life is much more suc-cessfully looked at from a single window, after all.

It was a matter of chance that I should have rented a house in one of the strangest communities in North America. It was on that slender riotous island which extends itself due east of New York — and where there are, among other natural curios ities, two unusual formations of land. Twenty miles from the city a pair of enormous eggs, identical in contour and separated only by a courtesy bay, jut out into the most domest-icated body of salt water in the Western hemisphere, the great wet barnyard of Long Island Sound. they are not perfect ovals— like the egg in the Columbus story, they are both crushed flat at the contact end — but their physical resemblance must be a source of perpetual confusion to the gulls that fly over-head. to the wingless a more arresting phenomenon is their dissimilarity in every particular except shape and size. I lived at West Egg, the — well, the less fashionable of the two, though this is a most superficial tag to express the bizarre and not a little sinister contrast between them. my house was at the very tip of the egg, only fifty yards from the Sound, and squeezed between two huge places that rented for twelve or fifteen thousand a season. the one on my right was a colossal affair by any standard — it was a factual imitation of some Hotel de Ville in Normandy, with a tower on one side, spanking new under a thin beard of raw ivy, and a marble swimming pool, and more than forty acres of lawn and garden. it was Gatsby’s mansion. Or, rather, as I didn’t know Mr. Gatsby, it was a mansion inhabited by a gentleman of that name. My own house was an eyesore, but it was a small eyesore, and it had been overlooked, so I had a view of the water, a partial view of my neighbor’s lawn, and the consoling proximity of millionaires — all for eighty dollars a month. Across the courtesy bay the white palaces of fashionable East Egg glittered along the water, and the history of the summer really begins on the evening I drove over there to have dinner with the Tom Buchanans. Daisy was my second cousin once re-moved, and I’d known Tom in college. And just after the war I spent two days with them in Chicago. Her husband, among various physical accomplishments, had been one of the most powerful ends that ever played football at New Haven — a national figure in a way, one of those men who reach such an acute limited excellence at twenty-one that everything afterward savors of anti-climax. His family were enormously wealthy — even in college his freedom with money was a matter for reproach — but now he’d left Chicago and come East in a fashion that rather took your breath away: for instance, he’d brought down a string of polo ponies from Lake Forest. it was hard to realize that a man in my own generation was wealthy enough to do that.

The great Gatsby Quotes by F. Scott Fitzgerald

“I hope she’ll be a fool. That’s the best thing a girl can be in this world, a beautiful little fool.” —Daisy Buchanan

“There are only the pursued, the pursuing, the busy and the tired.” —Nick Carraway

“Let us learn to show our friendship for a man when he is alive and not after he is dead.” —Meyer Wolfshiem

“Reserving judgments is a matter of infinite hope.” —Nick Carraway

“It’s a great advantage not to drink among hard-drinking people. —Jordan Baker

“No amount of fire or freshness can challenge what a man will store up in his ghostly heart.” —Nick Carraway

“The loneliest moment in someone’s life is when they are watching their whole world fall apart, and all they can do is stare blankly.” —Nick Carraway

“Dishonesty in a woman is a thing you never blame deeply.” —Nick Carraway

“Whenever you feel like criticizing any one,” he told me, “just remember that all the people in this world haven’t had the advantages that you’ve had.” —Nick Carraway (quoting his father)

“It occurred to me that there was no difference between men, in intelligence or race, so profound as the difference between the sick and the well.” —Nick Carraway

“So we beat on, boats against the current, borne back ceaselessly into the past.”

“And so with the sunshine and the great bursts of leaves growing on the trees, just as things grow in fast movies, I had that familiar conviction that life was beginning over again with the summer.”

“And so with the sunshine and the great bursts of leaves growing on the trees, just as things grow in fast movies, I had that familiar conviction that life was beginning over again with the summer.”

“He smiled understandingly-much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced–or seemed to face–the whole eternal world for an instant, and then concentrated on you with an irresistible prejudice in your favor. It understood you just as far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.”

“You see I usually find myself among strangers because I drift here and there trying to forget the sad things that happened to me.”

“They’re a rotten crowd’, I shouted across the lawn. ‘You’re worth the whole damn bunch put together.”

“In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars.”

“I couldn’t forgive him or like him, but I saw that what he had done was, to him, entirely justified. It was all very careless and confused. They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made.”

Where to buy The great Gatsby by F. Scott Fitzgerald

You can buy this glorious excess of the roaring 1920s titled the great Gatsby online from the following sites:

Read reviews on the great Gatsby by F. Scott Fitzgerald

Editorial reviews and praise for the great gatsby

“The florid show of modern American life…the high carnival of those who have too much money to spend and too much time for the spending of it. Their idiotic pursuit of sensation, their almost incredible stupidity. and triviality, their glittering swinishness.” –H. L. Mencken, literary critic

“[The novel] leaves the reader in a mood of chastened wonder…a revelation of life…[and] a work of art.” –Los Angeles Times
“A curious book, a mystical, glamourous story of today.” –New York Times

“A classic, perhaps the supreme American novel. “The Sunday Times (London)

“The Great Gatsby is still as fresh as when it first appeared; it has even gained in weight and relevance, which can be said of very few American books of its time.”-Lionel Trilling

“It has interested and excited me more than any new novel I have seen, either English or American, for years.-“T. S. Eliot to Fitzgerald

“I’m a sucker for efficiency. This book gets so much out of what is, ultimately, a rather slim story. I adore it.”-Ta-Nehisi Coates

“More than an American classic; it’s become a defining document of the national psyche, a creation myth, the Rosetta Stone of the American dream.”-The Guardian

A stunning illumination of the world, not only a miracle of talent but a triumph of technique.” -Richard Yates

Fitzgerald’s novel is a portal to the savage heart of the human spirit, affords a glimpse at our humanity and wonders at our enormous capacity to dream, to imagine, to hope and to persevere.” -Irish Times

[Fitzgerald] had one of the rarest qualities in all literature—charm. It’s not a matter of pretty writing or clear style. It’s a kind of subdued magic, controlled and exquisite, the sort of thing you get from good string quartets.” -Raymond Chandler

[Gatsby’s] exuberant ambitions and his abrupt tragedy have merged with the story of America, in its self-creation and its failure.” -The New Yorker
“One of the most quintessentially American novels ever written.” ―Time
“The American masterwork, the finest work of fiction by any of this country’s writers.” ―The Washington Post

“Leaves the reader in a mood of chastened wonder . . . A revelation of life . . . A work of art.” —Los Angeles Times

“A remarkable book. . . . It has interested and excited me more than any new novel I have seen, either English or American, for a number of years. . . . . It seems to me to be the first step that American fiction has taken since Henry James.” —T.S. Eliot.

“There are many novels which claim that they are the greatest love story of all time. It is only in the case of this novel that that statement can be applied and be true.” —The Guardian

“Fascinating . . . His style fairly scintillates, and with a genuine brilliance; he writes surely and soundly.” —New York Post

“Were you to lay this thing out by the sentence, it’d be as close as an array of words could get to strands of pearls. “The cab stopped at one slice in a long white cake of apartment-houses”? That line alone is almost enough to make me quit typing for the rest of my life.” —The Paris Review

[Gatsby’s] exuberant ambitions and his abrupt tragedy have merged with the story of America, in its self-creation and its failure.” -The New Yorker

[Gatsby] is a celebration of intemperance, and a condemnation of its destructiveness. It is about trying to recapture our fleeting joys, about the fugitive nature of delight. It is a tribute to possibility, and a dirge about disappointment. It is a book in which the glory of imagination smacks into the grimness of real life.-Guardian

“This edition of The Great Gatsby confirms what Fitzgerald Society members have long believed: Michael Nowlin is a leader in the emerging generation of Fitzgerald scholars. His introduction here charts the intensely personal journey through love, loss, and ambition that Fitzgerald traveled in order to realize his masterpiece; Nowlin’s appendices, meanwhile, provide secondary sources for appreciating the chaotic energies of youth, race, and cultural change compelling the novel’s inexorable tragedy. Whether excerpting Fitzgerald’s mid-1920s correspondence, contemporary reviews, or nonfiction gems of the day—including Zelda Fitzgerald’s insightful ‘What Became of the Flappers?’ (1925)—Nowlin dramatizes how thoroughly Jay Gatsby’s creator intuited the sadness and uncertainty beneath the glitz and gild of modernity’s most golden of decades.”-Kirk Curnutt

“Canadian readers are indeed fortunate to have Michael Nowlin’s extremely useful edition of The Great Gatsby. Nowlin provides a wealth of ancillary materials that enhance our understanding and appreciation of Fitzgerald’s masterpiece: a selection of Fitzgerald’s correspondence about Gatsby; eight advertisements that graphically demonstrate the commodity culture underlying the novel; and, perhaps most worthwhile of all, a selection of contemporary essays that supply an invaluable contextual framework for Gatsby. Throughout, Nowlin’s emphasis is on the quality, not quantity of these materials; the result is a book that will be indispensable to students, teachers, and the casual reader alike.”-Jackson R. Bryer University of Maryland Review

In 1922, F. Scott Fitzgerald announced his decision to write “something new–something extraordinary and beautiful and simple + intricately patterned.” That extraordinary, beautiful, intricately patterned, and above all, simple novel became The Great Gatsby, arguably Fitzgerald’s finest work and certainly the book for which he is best known. A portrait of the Jazz Age in all of its decadence and excess, Gatsby captured the spirit of the author’s generation and earned itself a permanent place in American mythology. Self-made, self-invented millionaire Jay Gatsby embodies some of Fitzgerald’s–and his country’s–most abiding obsessions: money, ambition, greed, and the promise of new beginnings. “Gatsby believed in the green light, the orgiastic future that year by year recedes before us. It eluded us then, but that’s no matter–tomorrow we will run faster, stretch out our arms farther…. And one fine morning–” Gatsby’s rise to glory and eventual fall from grace becomes a kind of cautionary tale about the American Dream.

It’s also a love story, of sorts, the narrative of Gatsby’s quixotic passion for Daisy Buchanan. The pair meet five years before the novel begins, when Daisy is a legendary young Louisville beauty and Gatsby an impoverished officer. They fall in love, but while Gatsby serves overseas, Daisy marries the brutal, bullying, but extremely rich Tom Buchanan. After the war, Gatsby devotes himself blindly to the pursuit of wealth by whatever means–and to the pursuit of Daisy, which amounts to the same thing. “Her voice is full of money,” Gatsby says admiringly, in one of the novel’s more famous descriptions. His millions made, Gatsby buys a mansion across Long Island Sound from Daisy’s patrician East Egg address, throws lavish parties, and waits for her to appear. When she does, events unfold with all the tragic inevitability of a Greek drama, with detached, cynical neighbor Nick Carraway acting as chorus throughout. Spare, elegantly plotted, and written in crystalline prose, The Great Gatsby is as perfectly satisfying as the best kind of poem.

Customer reviews on barnesandnoble for the great Gatsby by F. Scott Fitzgerald


B&N Home Office
4 out of 5 stars.
 a year ago  
A Classic Must Read!

A classic that I love to come back to every once in a while. I first read in high school and have reread a bunch of times as an adult. I get more from each read and love the style of writing so much. The characters stay with you and New York is brought to life – a wonderful insight into the young, the beautiful and the rich in the roaring 20s!


B&N Home Office
4 out of 5 stars
a year ago  
Class Wars Never Go Out Of Style

With glittering, stylish stage and film adaptations to fuel the mind’s eye, this American classic features a tortured romance set against the backdrop of East Coast high society during the Roaring 20’s. Delivering on glamour, mystique and intrigue and approaching its centennial, The Great Gatsby holds its own as a must-read for lovers of historical fiction and aspiring novelists.


B&N Home Office
5 out of 5 stars
a year ago  
A Must-Read Classic

This is one of my top 5 favorite books ever since I first read it in high school. The plot is romantic, dramatic, and definitely complex. There are many hidden meanings and themes that you have to truly absorb and think about while reflecting on the history of this time period (which is intricately detailed throughout the story). This is a book everyone should at least read once.

B&N JKowal

New York, NY
5 out of 5 stars
a year ago  
A Step Back In Time

Even 100 years later, the themes in this novel are still relevant. Love, money, revenge, drugs, I guess people never change! There are many different characters in this novel, each with a different personality & people always have their own opinion on who’s wrong and who’s right in the story. The only way to find out is to read for yourself!


5 out of 5 stars.
a year ago  
The Great Gatsby Book Review

The Great Gatsby, by F. Scott Fitzgerald takes place among the economically prosperous decade known as the roaring 20s. This novel places you inside the scarred mind of Nick Carraway, as he tells back the experiences he had gained while staying in New York. Nick, at the time, was an aspiring bonds salesman that just moved to Long Island. There, he learned the secrets and affairs of his new acquaintances. Nick Carraway serves as the story’s narrator as he observes all the events that would eventually conjoin to form a tragedy.
Overall I highly suggest reading this novel at least once. It makes you develop so many different emotions as you watch the story unfold. Whether it’s strong negative emotions or the little moments of joy that the characters get to experience. The interesting characters and complex storyline make it worthwhile to read.
The remainder of this review will go over the plot of the novel and will contain heavy spoilers.
Throughout the first half of this story, you start to uncover the past of Jay Gatsby, formerly James Gatz, and his past relations to Daisy Buchanan. However, just when things are starting to get interesting between the two, the curtains of the story draw back and fully expose the book’s much darker themes. While living in West Egg, Nick meets his extremely wealthy neighbor, Jay Gatsby. The two of them quickly become friends as Nick helps aid Gatsby in talking to Daisy. Nick develops respect and a strong bond with Gatsby.
While Nick has made some friends and had many fun experiences he also has to deal with the burdens that have been placed upon him. He learns that Tom Buchanan, his cousin’s husband, had been having an affair with another married woman. On top of that, Daisy even expresses that she is not happy being with Tom. This made it seem like things would eventually get sorted out in the end and Gatsby had a definite chance of ending up happy and with his childhood sweetheart. Although Gatsby and Daisy could have worked out, Daisy’s indecisiveness caused Gatsby and Tom to constantly butt heads in order to gain Daisy’s affection.
The Climax is an utter shock as after a heated argument between Daisy, Gatsby, and Tom Buchanan about Daisy’s feelings, Gatsby and Daisy leave the party that they were having at the Plaza Hotel in Manhattan. Daisy insists on being the driver to steady herself. Instead Tom’s mistress ran out in front of the car and Daisy committed a hit and run. Gatsby of course, being who he is, says he will take the blame if anybody ever finds out. Earlier in the day, Tom and Gatsby switched their cars which led to the misunderstanding of Tom’s mistress, Myrtle Wilson, thinking Tom was driving. Of course it was easy for Tom to identify who killed Myrtle, however the mentally ill Mr. Wilson makes use of this information. He travels to Gatsby’s residence and shoots him before shooting himself. Daisy and Tom Buchanan fled somewhere on a “vacation” shortly before Gatsby’s death. The only real friend that Gatsby had was Nick Carraway.
Daisy’s shallowness and greed does not allow her to care enough about Gatsby in the end. This made her one of my least favorite characters in the entire novel. By the end, I found Daisy Buchanan’s character to be extremely repulsive. I felt terrible seeing all the suffering Jay Gatsby went through because of this woman. He changed his whole life for her and quite literally gave up everything. Myrtle Smith was also a very tragic character, abused by her mentally ill husband, and forced to live in terrible environments. When she finally thought she found her salvation, she got killed in an accident. And the one that I think suffered the most was Nick Carraway. He was constantly burdened with the knowledge that led to these events happening. Nick’s true friend, Gatsby, had his name tarnished and he was one of the only people that actually knew the truth. Nick Carraway was forever mentally scarred and never to return back to New York.

Customer reviews on Amazon for the Great Gatsby F. Scott Fitzgerald

Michael George
5.0 out of 5 stars a novel with themes that reach beyond the narrow limits of its time
Reviewed in the United States on October 23, 2018
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The Great Gatsby is a recognized classic. Interestingly, the book did not sell very well during Fitzgerald’s lifetime, and when he died in 1940 he seemed to have regarded the book as a failure. When he died, scholars started to assess his work, and The Great Gatsby was recognized as an important work of literature. Besides its recognition, one must also think about its meaning for us in the present day. The “prohibition” period that he writes about was a strangely decadent period in America. Furthermore, the catastrophes of the Holocaust and WWII changed much about the U.S. and its position in the world. Since then, too, there has been substantial progress in civil rights, including the rights of women. In this sense, his novel seems parochial, and not very relevant for us today: Too much has changed about the world. Nevertheless, I think that if you approach the novel with an open mind and some knowledge of the historical context, you can see elements that remain of interest today. Fitzgerald was struggling with themes that are larger than his times, and still speak to us today. In this sense, I can recommend this book.

5.0 out of 5 stars Silver Spoon Fed
Reviewed in the United States on September 8, 2019
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Throughout this novel, we are to consider color, rightfully so. In the very beginning we are confronted with a view of skin color as base as it is fearful. The color of skin, the color of grass, the color of automobiles. Perhaps silver: a color drained of ambition and purpose: the literal silver-spoon-borne-illness that welcomes the Daisy(s) and Toms of this world describes a lack of depth and consequence. They are twice removed, twice protected by the soft element 47, the color of the ruling class. Their pearls, mined from the blue-green ocean, abutting the emerald green forested continent, match silver skin bathed in silver threads. And friendships. One is silver and the other gold. The new friend becomes the most reliable narrator, the most crystal lens through which we are all to view and admire a colorful life. “The old sport,” takes careful measure of the colorless characters with which he shares these pages and finds that vibrancy died with the Gatsby. Gatsby’ obituary is certainly spectroscopic; the silver light splinters and all is color.

W Perry Hall
5.0 out of 5 stars Timeless American Art: An Alchemy of Truth and Beauty
Reviewed in the United States on June 25, 2015
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I believe the alchemy of time, place and the right talent and drive can create in an author the story and words to compose a portrait of truth and beauty that transcends time; a work of supreme art so rare and splendid that it is revered because our soul longs to be transported to the splendor of a moment in time and desires to be granted the providence to create something so divine that through it we may survive on this Earth forever.

As rare and astounding as the art of Rembrandt, Renoir and Rodin, F. Scott Fitzgerald’s short novel casts a spell on me in his painting Love, Truth, Mythology and Tragedy in words so poignant, eloquent and gorgeous that I, a mere mortal, cannot do them justice, so I must quote (though I typically prefer not to): “The loneliest moment in someone’s life is when they are watching their whole world fall apart, and all they can do is stare blankly.”

“In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars.”

“His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed like a flower and the incarnation was complete.”

“And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.

Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter—tomorrow we will run faster, stretch out our arms farther. . . . And one fine morning——So we beat on, boats against the current, borne back ceaselessly into the past.” This is my favorite American novel.

4.0 out of 5 stars A masterpiece. This is one of the best works.
Reviewed in India on September 8, 2018
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This is considered to be one of the best fiction novels and no doubt it is a great novel. After I watched the movie, I just had to read it and oh boy!, what a beautifully written book. The book definitely arose more emotions than the movie. Gatsby is about the emptiness that is profound in the lifestyle of the society where values are completely distanced from the opulence. The more you read this book, the more you would fall into it.
This is a tragic love story. The feelings are intense and at times you would feel so much for Gatsby. There are things you can’t buy with money and that is what is shown profusely in the novel. This is a very simple story but a very very complicated one at the same time. There is a lot of symbolism that one may want to understand a bit in detail. So do a bit of research on those scenarios that the author is building. This one is a classic and will always be with me. I will always revisit this story.
Gatsby is a great character that Fitzgerald has developed and many people will relate with him. Daisy is the demure girl that many people would feel so much for. This book rouses emotions and feelings to a different level.

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