Game of Thrones PDF by George R.R Martin, Reviews and More

I can literally see someone reading this screams yes! And wow!! At the same time; I mean who wouldn’t? It is Game of thrones PDF in an eBook format after all. From one of the most prolific authors and a #1 New York Times bestseller comes one of the most sought after book titled- Game of thrones pdf by George R.R martin.

I am pretty sure most persons never knew that the popular HBO series movie Game of thrones was actually adapted from a book! Yes it is and in this article, you will be able to freely read Game of thrones pdf  by George R.R Martin as well as do the following:

  • Get a summary of Game of thrones PDF by George R.R Martin
  • Learn about the author Game of thrones
  • Learn vital information about the book Game of thrones
  • Learn where to buy Game of thrones eBook and paperback online
  • See the map of Game of thrones (North and south)
  • Read reviews on Game of thrones

Summary of Game of thrones pdf by George R.R Martin

Winter is coming. Such is the stern motto of House Stark, the northernmost of the fiefdoms that owe allegiance to King Robert Baratheon in far-off King’s Landing. There Eddard Stark of Winterfell rules in Robert’s name. There his family dwells in peace and comfort: his proud wife, Catelyn; his sons Robb, Brandon, and Rickon; his daughters Sansa and Arya; and his bastard son, Jon Snow. Far to the north, behind the towering Wall, lie savage Wildings and worse—unnatural things relegated to myth during the centuries-long summer, but proving all too real and all too deadly in the turning of the season.

Yet a more immediate threat lurks to the south, where Jon Arryn, the Hand of the King, has died under mysterious circumstances. Now Robert is riding north to Winterfell, bringing his queen, the lovely but cold Cersei, his son, the cruel, vainglorious Prince Joffrey, and the queen’s brothers Jaime and Tyrion of the powerful and wealthy House Lannister—the first a swordsman without equal, the second a dwarf whose stunted stature belies a brilliant mind. All are heading for Winterfell and a fateful encounter that will change the course of kingdoms.


Meanwhile, across the Narrow Sea, Prince Viserys, heir of the fallen House Targaryen, which once ruled all of Westeros, schemes to reclaim the throne with an army of barbarian Dothraki—whose loyalty he will purchase in the only coin left to him: his beautiful yet innocent sister, Daenerys. The story of the book takes place in the fictional continent of Westeros where there are seven kingdoms ruled by one king, Robert Baratheon. Later in the series, however, the King dies and his hand comes to the knowledge about the truth of his children bring bastards of his brother in-law Jaime Lannister who was having incest with his sister Cersei Lannister.

The hand of King Ned Stark tries to expose the truth but he is captured in the streets of King’s Landing for conspiring against the crown. He is then advised to confess his crimes and get a royal pardon which he does but the new King orders his death anyway. This leads to the war of the five kings later in the 2nd book.

About the Author of Game of Thrones – George Raymond Richard Martin

George Raymond Richard Martin, also known as GRRM, is an American novelist, screenwriter, television producer and short story writer. He was born on 20 September 1948 in Bayonne, New Jersey, United States. Apart from Game of thrones, He is the author of the series of epic fantasy novels A Song of Ice and Fire, which were adapted into the Emmy Award-winning HBO series Game of Thrones.

He is the #1 New York Times bestselling author of many novels, including the acclaimed series A Song of Ice and Fire—A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, and A Dance with Dragons—as well as Tuf Voyaging, Fevre Dream, The Armageddon Rag, Dying of the Light, Windhaven (with Lisa Tuttle), and Dreamsongs Volumes I and II. He is also the creator of The Lands of Ice and Fire, a collection of maps from A Song of Ice and Fire featuring original artwork from illustrator and cartographer Jonathan Roberts, and The World of Ice & Fire (with Elio M. García, Jr., and Linda Antonsson). As a writer-producer, Martin has worked on The Twilight Zone, Beauty and the Beast, and various feature films and pilots that were never made. He lives with the lovely Parris in Santa Fe, New Mexico.

game of thrones pdf free download
Game of thrones pdf free download online

Information About the Book Game of Thrones (Amazon)

  • ASIN ‏ : ‎ 0553593714
  • Publisher ‏ : ‎ Bantam; Media tie-in edition (March 22, 2011)
  • Language ‏ : ‎ English
  • Mass Market Paperback ‏ : ‎ 864 pages
  • ISBN-10 ‏ : ‎ 9780553593716
  • ISBN-13 ‏ : ‎ 978-0553593716
  • Lexile measure ‏ : ‎ 830L
  • Item Weight ‏ : ‎ 12.8 ounces
  • Dimensions ‏ : ‎ 4.17 x 1.43 x 6.82 inches
  • Best Sellers Rank: #150,480 in Books (See Top 100 in Books)
  • #1,691 in TV, Movie & Game Tie-In Fiction
  • #3,101 in War & Military Action Fiction (Books)
  • #3,919 in Sword & Sorcery Fantasy (Books)
  • Customer reviews 24,456 ratings

Map of Game of Thrones by George R.R Martin

Here below is a map of the Game of thrones that shows the whole of Westeros both the north and south and the various cities, towns, castles, ruins and ruined castles that makes it up.

Game of thrones Southern kingdom
Game of thrones southern kingdom
Game of thrones Northern kingdom

Read Reviews on Game of Thrones by George R.R Martin

Editorial reviews and praise for Game of thrones

“George R.R. Martin’s new novel, A Game of Thrones, is the first in an epic series about a land in which the seasons shift between periods of seemingly endless summer and seemingly endless winter. The story begins with the kingdom of Winterfell facing both external and internal dangers. Beyond her borders, the cold is returning, a dragon prince is scheming to win back his lost kingdom, and the eggs of supposedly long extinct dragons are beginning to hatch. Within Winterfell itself, war soon erupts when the king is murdered by a family grasping for unlawful power.

Many fans of sword-and-sorcery will enjoy the epic scope of this book, something of a change of pace for Martin, who has spent the last decade working for television and who has long been honored for his award-winning stories (e.g., ‘Sandkings’). Still, to my mind, this opening installment suffers from one-dimensional characters and less than memorable imagery.”

– John H. Riskind, The Washington Post, June 28, 1996

After a long silence (Portraits of his Children, stories, 1987), the author of the cult novel The Armageddon Rag (1983) returns with the first of a fantasy series entitled, insipidly enough, A Song of Ice and Fire. In the Seven Kingdoms, where the unpredictable seasons may last decades, three powerful families allied themselves in order to smash the ruling Targaryens and depose their Mad King, Aerys II. Robert Baratheon claimed the throne and took to wife Tywin Lannister’s daughter, Cersei; Ned Stark returned north to gloomy Winterfell with its massive, ancient Wall farther to the north that keeps wildings and unspeakable creatures from invading. Some years later, Robert, now drunk and grossly fat, asks Ned to come south and help him govern; reluctantly, since he mistrusts the treacherous Lannisters, Ned complies. Honorable Ned soon finds himself caught up in a whirl of plots, espionage, whispers, and double-dealing and learns to his horror that the royal heir, Joffrey, isn’t Robert’s son at all but, rather, the product of an incestuous union between the Queen and her brother Jaime—who murdered the Mad King and earned the infamous nickname Kingslayer. Ned attempts to bargain with Cersei and steels himself to tell Robert—but too late. Swiftly the Lannisters murder the King, consign Ned to a dungeon, and prepare to seize the throne, opposed only by the remaining Starks and Baratheons. On the mainland, meanwhile, the brutal and stupid Viserys Targaryen sells his sister Dany to a barbarian horse-warrior in return for a promise of armies to help him reconquer the Seven Kingdoms. A vast, rich saga, with splendid characters and an intricate plot flawlessly articulated against a backdrop of real depth and texture. Still, after 672 dense pages, were you expecting a satisfying resolution? You won’t get it: Be prepared for a lengthy series with an indefinitely deferred conclusion.

Kirkus Reviews Issue: July 1, 1996

“The major fantasy of the decade . . . compulsively readable.”—Denver Post
“We have been invited to a grand feast and pageant: George R.R. Martin has unveiled for us an intensely realized, romantic but realistic world.”—Chicago Sun-Times

“A Best Book of 1996: Martin makes a triumphant return to high fantasy . . . [with] superbly developed characters, accomplished prose, and sheer bloody mindedness.”—Publishers Weekly, starred review
“A splendid saga . . . . Inventive and intricately plotted.”—BookPage
“Magic . . . George R.R.Martin’s first fantasy epic [is set] well above the norms of the genre.”—Locus
“Such a splendid tale and such a fantasticorical! I read my eyes out and couldn’t stop ’til I finished and it was dawn.”—Anne McCaffrey

Reviews from customers on Amazon

B. Wilfong. We all do our duty when there is no cost to it

Reviewed in the United States on August 5, 2017

Verified Purchase

So I finally caved and read “A Game of Thrones”, despite the fact that I insist that I am not a fantasy guy. I will admit it. I really enjoyed this book. It kept my attention and I found myself wanting to go back and read it!
It is a big book, many people, have said many things about it. Here are some of mine:
• The characterization is really good. There are defined personalities and traits and Mr. Martin usually conveys them without a superfluous amount of words.
• The alternating points of view chapter by chapter. This device allows the reader to take in the massive scope of the story that is being told here in manageable chunks. I hope this style continues thru the series.
• The large arc of the story. Mr. Martin has created world here, with a complete and rich history.
• The novel is unapologetic. By that, I mean there is rampant sexism, violence, etc. Not pretty elements, but the author is not casting a modern eye on them apologizing for every undesirable trait. This is an ancient world, not like our own. He allows that story to happen without foisting modern sensibilities on it. I appreciate someone just telling a story and letting the actions speak for themselves. You are disgusted or titillated by what the characters are doing based on how you view the world.
That is a quick overview, but some of the highlights. I will say, the overlong descriptions of clothing and food I could do with a little less of, but it is a small quibble, and I have friends who love that aspect of the book, so there ya go.
I will be continuing this journey through the Seven Kingdoms, but I am not sure when. My “to read” pile is massive enough as it is.

Curious Epicure. Highly recommended whether you are watching the series or not. Awesomely Brilliant

Reviewed in the United States on May 29, 2016 Verified Purchase

I was sitting next to a young woman reading on a plane who was reading this. She told me that she liked it much better than the series. That it was well-written and hard to put down. She specifically mentioned that it had very little of the gratuitous sex that seems to pervade the TV show. On her recommendation, I bought the book and completely agree with everything she said.
Even though it is difficult not to imagine the faces of the actors when reading the book, it is still an awesome read. Much more detailed than the series, but also enhanced by it to a certain extent.
brilliant writing.

Seane 797. This book is for anyone who loves a gripping read…. No exceptions

Reviewed in the United States on June 22, 2015

Verified Purchase

What could be said about Game of Thrones, the first of George R.R. Martin’s epic series, that hasn’t been said a million times? It’s absolutely brilliant. Going into these books (I read them after the show began but before I’d seen the show…), I enjoyed my share of sci-fi/fantasy along the lines of Harry Potter, Buffy the Vampire Slayer… fairly light-hearted stuff (in comparison, at least) that always felt grounded in the same world I live in. The one genre I really disliked was “Middle Ages Fantasy” as I called it. Lord of the Rings, for instance, while the films were visually appealing, was not my cup of tea… too detached from reality. So when I first saw articles and clips from the HBO Game of Thrones series, I thought it looked like the one type of fantasy series that I would never enjoy. I held out for a looong time, until 3 different friends of mine with similar tastes in books/shows/films promised me that, while they too disliked this sub-genre of fantasty, this series was different, and I HAD to read the books or start the show. Grudgingly, I picked up the first book, figuring that I’d push myself half-way through it and let me friends know I tried and they were totally wrong. Of course they weren’t wrong.

What George R.R. Martin has done here defies genre, period. It doesn’t matter if you’re like me and don’t care for this sub-genre of fantasy… it doesn’t matter if you’re like my spouse, and don’t like fantasy at all. If you enjoy brilliant, incredibly-developed, thought-provoking stories… those with a strongly developed cast of characters who blissfully lack being “good vs. evil” and instead all display their shades of grey, good traits, evil traits, unique traits, all sorts of traits… then this book is for you. Buy it. Open it up. Start reading. You won’t regret it.

Reviews from community readers on Goodreads

Shannon. Edited may 8, 2008.

I really feel the necessity of a bit of personal backstory here, before I start the review. Back in 1996 when this book first came out, and I was about 14 or 16 years old, I saw the hardcover on a sale table for about $5 and couldn’t resist a bargain (still can’t, though I’m more cautious these days). So I started reading this book with the vague idea that it was a flop, and that may not have helped, but I got through 100 pages of it before feeling so crapped off with it that I shoved it in my cupboard and tried not to think about it. Page 108 to be exact. More on why later.
If you’ve heard of this book, or read it, you’re probably aware that far from being the flop I assumed it was at the time (and I didn’t know anyone who was reading it), the series has gone on to be one of the big Cash Cows of the fantasy genre. Computer games, role-playing games – there’s even a board game that looks like Risk. Sooner or later there’ll be a movie or something, no doubt (I’m moderately surprised one isn’t in the works already). People love this book and this series. So I’m well aware I’ll probably be lynched for this review, because even the people on Goodreads who didn’t like it still had great things to say about it.

But reviews are subjective, and here’s mine.
In the vein of Tolkein, Jordan, Elliott, Goodkind, Hobb, Eddings, Feist et al, A Game of Thrones is set in the classicly boring-and-overdone medieval-England-esque setting, and is essentially about a bunch of nobles fighting over a throne. Great! Very original. Praised for its focus on political intrigue, its lack of magic and similar fantasy tropes, and its cast of believable and interesting characters, I found the book tedious. The first “epic fantasy” series I read (after Narnia) was Jordan’s The Wheel of Time series, and it’s true that I struggled with the first book, Eye of the World. But there were elements to it that I liked, characters who I felt attached to, enough to read the second book and become hooked, and so on. I love 1000-page long, fat fantasy books. I love huge casts of characters and have no problem keeping up with them. I’ve read Jennifer Fallon’s Wolfblade trilogy and Second Sons Trilogy, both of which are heavy on political intrigue and very low on magic, and they’re supurb. A Game of Thrones is not. It offers nothing new to the genre, and does nothing original with what it has.

Narrated in turns by Eddard (Ned) Stark, Lord of Winterfell; his wife Lady Catelyn; his bastard son Jon Snow; his very young daughters Sansa and Arya; his middle son Bran; Tyrion Lannister, a dwarf and brother to the Queen; and young Daenerys Targaryen, last of the line of dragon kings and exiled to the land beyond the narrow sea, the book is divided into neat chapters headed by the name of one or the other, so you know exactly whose point-of-view you’re going to get and where you are in the plot. Thanks for holding my hand Martin, but I don’t like this technique. The chapter headings, I’m referring to. It encourages me to start wondering about the character before I’ve even started reading. “CATELYN” the chapter title reads: is she young or old, a peasant, a farmer, a daughter, a mother, nice, mean… I start imagining things and then have to correct it all as the character is revealed during the chapter. There’s power in names, and withholding them or putting elements of a character’s personality first is often more compelling, and better writing. It also made it harder to get through the book, because at the end of one chapter I’d see the name of the next, think “oh great, him/her again, their story’s boring” and put the book down.

Let me be perfectly straight: I did not find any of the characters to be particularly interesting; though Jaime Lannister had something about him, you hardly ever saw him. They all pretty much felt like the same character, just in different situations. The differences between them, for example the good-girl Sansa and her tomboy sister Arya, felt forced, superficial and clichéd. Ned is all about honour and duty, but especially honour, with love a more minor consideration, but honestly, could the man be more stupid? Eddard’s a moron, and dull, and his only saving grace is that he’s nice to his daughters. Let’s be clear about something else right here: this world and its people are so sexist and misogynist it’s ludicrous. There are many derogatory references to women’s tits, metaphors about screwing whores, descriptions of Daenerys getting her nipples pinched by her horrible brother Viserys – not to mention her marriage, at twelve, to a horselord whose men rape women like there’s no tomorrow; incest and so on. The first time I tried to read this book, I was offended and disgusted (it didn’t help that I’d read Pillars of the Earth not long before; though I did not grow up sexually repressed or prudish or anything like that, I have never found reading descriptions of rape to be all that easy, especially when they’re treated so dismissively) – yet oddly my impressions of the characters were much more favourable. I read it now and I just felt contempt. No one character stands out, though Arya has potential. Catelyn is as boring as her husband, and her sister Lysa is, let’s face it, mad as a hatter and a sure sign of why women are unfit to rule (a clear message in this medieval-esque patriarchal world). Queen Cercei too. Tyrion, the dwarf, seems on the verge of having charisma but fails, and Daenerys… I want to like someone, but Martin doesn’t give his characters any depth. Sure, they’re all flawed and a flawed character is a great literary device – the anti-hero, etc. But Martin’s characters are walking clichés, even the dwarf.

The plot is also pretty weak. I don’t need elves and magic and dragons – in fact, I tend to avoid them, especially elves *yawn* – but you’ve gotta give me something else. A bildungsroman does wonders – yes, let me see the characters on a journey of life rather than a quest, quests are tired. There’s no quest in A Game of Thrones, and that’s fine with me. But what is there? Jon goes to the Wall that separates the wilderness from the Seven Kingdoms (why is it called the Seven Kingdoms when there’s only one kingdom?) and is attacked by an Other, a kind of zombie creature; Ned goes to the capital to take up the role of King’s Hand because the King, Robert, likes to spend his time boozing, whoring and hunting; Catelyn follows to tell him someone tried to kill Bran; Ned tries to discover why the previous Hand died… And swords with names, seriously, what’s with that? I’m so sick of such blatant phallic symbols and their representations, and the whole creed of honour and duty and gallant knights…

What frustrates me most is that this could have been a really interesting story, if only the author had better talent at writing characters – or letting them write themselves. The plot is not the problem, though it’s largely uneventful, with no climactic moments because even those are written at the same pace as the rest, with no drammatic flourishes (come on, we all like those, let’s be honest). But the characters, *sigh*, their motivations are simplistic, their actions extremely predictable, and while they don’t blur one into another neither do any of them stand out. Also, the type of setting seems mostly convenient: with the focus on the nobles and their squabbling, you don’t learn much about the lower classes, or what kind of food is grown here, or what kind of industry supports the economy, or anything about the cultures – using the clichéd medieval England setting allows Martin to ignore one of the more fascinating aspects of society and leaves his world shallow, like surface water, without support (using this old and worn Fantasy setting allows an author to get lazy about world-building). The history of the land is also riddled with clichés, and sort of thrown in here and there as if to remind the reader “it is a real place, look, here’s what the First Men did!” As for the writing, it’s easy to read and calm, though very slow and rather lacking in tone or any interesting stylistic quirks: flat and bland, in other words. There’s no atmosphere in this book. There’re a few bad lines, like “A storm of rose petals blew across a blood-streaked sky, as blue as the eyes of death” (p.425) – his one concession to drama, it seems, though if you read it again you’ll notice it doesn’t actually make sense; and a few awkward sentences that leave you scrambling, such as “Catelyn watched her son [Robb Stark] mount up. Olyvar Frey held his horse for him, Lord Walder’s son, two years older than Robb, and ten years younger and more anxious.” (p.696) I noticed a similar sentence later, and I guess I know what he means but really, it’s terrible writing. On the plus side, there were a few things I liked. The direwolves – large ferocious animals as constant companions and protectors: always a winner with me; the intriguing climate, where summer and winter lasts years, decades even, before changing (how does that work? Seriously, what do they eat?); Daenerys’ dragon eggs, and the Dothraki, the horse lords – though they were pretty superficial and confined to a rigid list of adjectives – I would have liked to understand their culture better. In many fantasy books my problem is the whole good vs. evil cliché, which generally involves the plot. Here, my problem is that the characters are so black-and-white. They are described, good, that’s settled, now what? There’s no grey. No character development. They never once surprised me.

I honestly don’t know if I’ll read the next book. The Wheel of Time taught me (at the same age as I first tried reading this book, 16) that the first book in a series can be the weakest, because of the amount of extrapolation and background etc. that goes on. I didn’t find that problem here, it was very  grounded in the now, which makes me think the next book will be more of the same. I keep coming back to the reasons why I struggled to finish this book: boredom, clichéd and empty characters, not enough balance (as in, there’s no love in this book, and if the characters are so realistic why don’t they love?), and predictable events. You know what it reminds me of? Marion Zimmer Bradley’s equally famous The Mists of Avalon – another book I couldn’t finish. If you like Arthurian fantasy, and that kind of style, then this would be a good book for you: the excessively patriarchal culture, the battles, the hint of magic and something glorious lurking around the edges but never coming to the fore, it’s all here, neatly packaged. Obviously it works for a lot of people.

But to all those people who say that Martin has opened up the genre in new ways, that he is the best writer of the epic fantasy crowd and so on, I have to wonder, have they read anything else? And then I wonder whether it’s a matter of which author you read first and grow attached to, and so compare all the others. I don’t think I fell into that trap as such, because Jordan’s lost the plot, literally, Goodkind’s personal politics and propaganda have taken over his story, and the one epic fantasy series that I love above all others – to date – is Kate Elliott’s Crown of Stars series, which I didn’t start reading till I was in uni. But I really wonder how this story grabbed other people. If it grabbed you, I’d love to hear how and why, because sometimes I feel like I’m too jaded or something, too snobby maybe..

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